A real man — Picasso’s own dealer — dissolved into a shimmer of brown-and-gray facets you have to decode.
The canvas
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Pablo Picasso, Portrait of Daniel-Henry Kahnweiler, 1910. Oil on canvas. 3 ft 3½ in × 2 ft 4½ in. Art Institute of Chicago. Acquired 1948
Look closer
Find these on the canvas above
1
The wave of hair
Start at the top: that patch of fine diagonal hatching is Kahnweiler’s neatly combed, wavy hair — one of the few passages Picasso leaves almost describable, a foothold before the rest dissolves.
2
His eyes, looking out
Below the hair, two dark almond eyes and the ridge of a nose surface out of the facets. Find the face looking back and the whole gray scaffold suddenly reads as a seated man.
3
The clasped hands
At the very bottom, a cluster of pale interlocking blocks resolves into his hands, folded in his lap. Picasso pins the figure down with hair and hands — top and bottom — and lets everything between them break apart.
4
A still-life corner
Down in the lower left (to the sitter’s right) sit the faceted shards of a small still life — a bottle, and probably a glass beside it. The everyday tabletop motif Picasso and Braque were faceting over and over in these years, tucked into the corner of a portrait.